Monday, 16 February 2015

Honfleur - flower of the Seine

A Honfleur morning - the dock is too short for a ski!  Image from 'Tour Normandy' site.
"I want to show you Honfleur, I want to show you the light." 

Edward Boudin supposedly said this to his friend, 15yr old Claude Monet, in an effort to encourage him away from his 'amusing' caricatures to the real art of painting outdoors.

Through photos of our visit to this charming little port town, I'll try and do the same.
Left: Gramps wandering down the Quai-Sainte-Catherine last summer, 9amish.
Right: M at the end of the same street this February, 4pmish.
Same camera, vastly different light.
My favourite Honfleur bakery.
On our way home from the Normandy beaches and visiting the Bayeux tapestry last summer, we dropped into Honfleur to pick up coffee and breakfast on our way to the Chunnel in Calais. I had chosen Honfleur as our stop after seeing it listed as the location on so many Impressionist land and seascapes. Still I was not prepared for the shock of beauty at the end of the road as we came to the Vieux Bassin. All of us stood and grinned with daft limpid eyes - for a moment incapable of raising the camera arm. I cannot say why a concrete walled, rectangle of water with a few boats floating upon it, surrounded by a wall of timber buildings, cafe umbrellas and ancient stone was able to conjure this reaction. It must have been a trick of the light. After a desperate wander, trying to suck in as much as we could through our eyes, we left; promising ourselves that one day we would return.
Last summer - the little dog was still there in winter, her owner spoke only French so without Willow we were a little stuck but we found that her name was Lucy. They had breakfast at Restaurant La Marin with us each morning.
And we did! Yay! Well M, Petal and I did. Willow was in Paris with two of her friends celebrating her 18th birthday; Granny and Gramps were visiting Hokitika, another little seaside town on the west coast of Sth NZ.
From the window of our room first morning - we were so lucky that it didn't rain at all.
Top left: Bells of the Town Hall, Bottom left: Town Hall in the background.  Tricky to keep Charlie from leaping across my knee and onto the restaurant awning below!    Right: St Etienne - deconsecrated church now a marine museum.
February is winter, so of course the light was very different.  Although a couple coaches still dropped in tourists, the streets mid afternoon were much quieter than our 9am summer stop off. A reasonable trade I think; space to see for the cold and the light was still incredible.
Left: Behind the Bell Tower. The close buildings would be lovely and cool in summer - mossy in winter but still so pretty.
Right: Ropes and masts of sailing and fishing boats in the dock, Town hall behind. Light frames pictures for you.
Our room is the right 1st floor window above the red awning left of the
art gallery in center shot without an awning.
Honfleur sits in a wedge of flat at the side of the estuary of the great river Seine and between two steep hills . Paris is about 200km up river.  As the sun pops over the eastern hill(Côte Vassale) the town sparkles and the colour from the western drop, behind Côte de Grace, lights up all the panes of glass along the eastern edge of the marina. The sun was thin and watery but because it bounced from sea to pane, off white stone, sails and clouds it seemed so much brighter than an overcast day in Cambridge.

Left: 4pmish                                                                                     Right: 10amish
We stayed in a room above one of the restaurants lining the marina (La Chambre du Marin). The one window looked right across the water to the triple bells of the Hotel de Ville (Honfleur's Town Hall). The three bells sounded every half hour then the largest chimed the strikes of each hour. St Catherine's clock tower standing apart from the church on the road behind our room competed every hour but we didn't hear anything from the dome of St Leonard or from up on the hill behind us where Notre Dame de Grace sits. The original, built by Richard II Duke of Normandy in thanks to God for saving him from drowning in a shipwreck out in the estuary, slid down the slope in a landslide and was replaced in the early 1600s. Both St Leonards and de Grace are full of painted murals and are made of stone.
Right: Exiting our little room.  Left: coming out onto Rue du Dauphin through a sneaky skinny door.
The buildings on the western side of the bassin are soo tall they appear to be toppling forward but they are firmly attached to the hill behind and each building has a double entrance.  Most have two owners, the bottom half has access to the bassin, with their ground level rooms filled with restaurants, shops and galleries.  The top half open to the Rue du Dauphin in front of St Catherine's and their 'ground level' rooms are shops and galleries. Our room was accessed by a steep narrow staircase that ran from a tiny door in la Marin restaurant up to Rue du Dauphin, Five other residences used this rope bannistered tunnel staircase for access as well.
Even inside a long skinny room with one window there is plenty of light. Left - Petal waking late despite the bells.
Right: Petal admiring her new French knife.  Rear - Charlie is very happy that we remembered to bring his dinner.
Honfleur lights itself up at night well too.
Left: St Catherine's Bell Tower, market square and Hotel du Dauphin behind our building.
Right: l'écailleur retaurant for dinner one night.  Great view, steak and cheeses - charcoal caramelised onions though.
St Catherine's is the only completely wooden church in France. It was built to thank God for the departure of the English after The Hundred Years War c1460. French skirmishes in the 1450s all but destroyed the Kent town of Sandwich, which is now its sister town in the UK.
Top: the right 'hull' of St C.    Right:the church is lined with modern saints as well as the Holy family.
Left: Chandelier and Baptistery.
The church was named for the Greek martyr, Saint Catherine, a scholar and a beauty. Legend says that she converted 1000's of pagans to Christianity, most of them losing their lives for it soon after. She was tortured but was allowed visitors. The legend says she converted the Emporer's wife, who visited her in the dungeons, who then lost her life for not worshiping idols. Catherine refused to marry the newly widowed Emperor Maxentius, so he signed her death warrant for the torturous 'wheel'. When it broke at her touch he had to resort to beheading her with an axe. Joan de Arc declared that Catherine was one of the Saints who advised her but no historical evidence can be found to corroborate the legend. St Catherine's College in Cambridge was founded on her saint day, November 25: the story endures.
Left: Bergognone's imaginings of St Catherine's mystical marriage to Christ,1490.  She looks like Willow's Greek friend.
St Catherine's wooden church.  The shingles are made from Chestnut wood.
Local shipwrights built the double hull roof of the church but then decided that to put the traditional bell tower atop would invite the disaster of fire from lighting strikes (says something about Norman weather!) They decided to build the bell tower across the square from the church with living quarters for the bell ringer below. I'm not sure when the small spire on the roof of the church was added. Legend has it that nobody in the town wanted the job of bell ringer (or the accommodation) so the Mayor told the local drunk that he either took the job or he had to leave Honfleur. The drunk took the job, apparently developed great skill and married a deaf girl!
St Catherine's Bell Tower:1.J.B.Jongkind 1886 (notice the different pillared front of the church) 2. C.Monet 1867  3.M's photo.
A warren of little streets wind around the gentle slope from St Catherine's to the hill behind. Many of these host shops and galleries. Popular souvenirs are local cheeses, ciders, nougat, honey, jams of all sorts, caramels, jewelry and art. Petal dreamed that she would buy a tasseled leather bag and voila an embossed example waved to her from a sale rack outside Bou&Bou, it was a mistake going inside to pay though - so many other temptations; really quirky jewelry from a Parisian artist. The Musee Eugene Boudin promised the display of impressionist pieces completed in the area but alas a sign informed us that it would not open again until May.
Some of the goodies around town.
A five minute walk beyond the disappointment took us to a five star spa Hotel (Ferme Saint Simeon) that used to be the modest farmhouse where Eugene and his friends often paid for their stay with a pastel sketch. The steep road parallel to this takes you up to Notre Dame de Grace.  The view across the mouth of the Seine to Le Harve is spectacular.
Left: Ferme Saint Simeon with Petal and Charlie trespassing on their lawn.
Right Top: View of the Normandy Bridge whose deck is suspended 60m above the Seine. Each pylon is 215m high. It costs €5,40 to cross the 2141m each way.   The old mill stone from the farm was probably still operating in Monet's time.
Back down to town, close to the public parking area, off Boulevard Charles 5 (where we paid around €12 for 24hrs) is a light house. As I was walking Charlie past early one morning it struck me as odd that such a short lighthouse should be so far inland.  I also remembered a Seurat pointillist work, of Honfleur, with a lighthouse on a point with water lapping at its feet - could this be it, was it moved in land or was the land moved out? Turns out the mud flats filled in with sand over last century so the town built a big new sea wall and filled it in.  The edge of the Seine is now almost 1km away from the lighthouse.  Le Jarden Personnalités (Garden of Fame) now holds the mouth of the river at bay. Busts and statues of celebrities that were born, who lived or worked in Honfleur parade in this 10H park. Beyond this lies the beach.
Top left: part of Georges Seurat's Hospice and Lighthouse at Honfleur 1886
Right and below(star marks the spot): The same lighthouse today.  The lantern was removed in 1908 after serving the community for 65yrs.  This favourite haunt of the Impressionists wouldn't be recognisable if they returned today.
Across the marina from our room is the old church, St Etienne. It has been deconsecrated and is now a Marine Museum - it was closed. Around the corner down one of the oldest streets is the Normandy Ethnography Museum, in what was the old prison - it was also closed but at least had some windows to peer in. The streets behind are full of more galleries and tourist traps. One of the galleries was full of 20thC canvases and an Emilio Grau Sala shone in the window. A local artist,  who has painted Honfleur for years, has a little shop/studio on la Rue de la ville that Petal and I picked a couple of little water colours up at.
Monsieur Lallemand's studio shows how artists can paint 'outdoors' from the warm. Two computer screens to paint from here.

I loved the carvings in this little store by Pierre Decourse, the one on the right was over €1000 so it stayed in the window.
Just down the hill from St Catherine's Church, C.Sanchez has a shop/studio. His little white dog appears in many of his paintings - bottom left in the night scene above.  All the working artists were very friendly, even without us speaking French.

M's favourite souvenir from our Honfleur stay.
Down this road is a store with postcard stands out front and looks every inch the tacky type to avoid but lo and behold they were stockers of the genuine Laguiole knives. A single cutler(M assures me this is the term for knife maker - as in cutlery!) carves the wood and metal into a knife. The bee (some say Napoleon awarded the royal symbol for the area's brave fighters others laugh because the valley are renowned pacifists) or fly (lots of cattle in the valley) on the hilt is the brand's symbol but knockoff versions are being made in China and Spain. They also sold the French Opinel knives that Petal has been saving for since out last visit. Just as well we were driving home rather than flying!
They dress their homes well in Honfleur.
2nd left is a little clip that holds the ground floor shutters closed - many different types but after dropping my camera all were out of focus!@*&#!
Every corner had another design surprise.
Left: a modern build still made space for a wall shrine.  Centre: Wall shrine on the Lieutenance (this was covered in scaffolding for maintainence so no photos) - once the home of the governor it was built into the city wall which was torn down long ago.  Right: Honfleur was once known as a town of Pirates which this little wall shrine celebrates at the road end of Vieux Bassin.
St Leonard's in morning and afternoon light - the sun and clouds decide what colour the town will be at any given moment.
 The morning we left I popped down Rue de la Republique to the Artisan bakery, Tartine and Macaron, to stock up on French bread for the next week. Petal and I had bought a raspberry pastry for Willow the day before but then had to eat it because it was too fragile for travel!

The Normandy staples of caramelised apple tarts and savoury crepes(Galettes) often with grated apple with a cheese or honey with goats cheese or chicken and mushrooms were gleefully partaken. The sweet apple tarts are served with creme fraiche(sour cream) and anything that can, has a splash of calvados(apple brandy). Hundreds of Ciders are also listed on most menus.  My policy of always trying a local creme brulée was thwarted though because the few restaurants offering it were closed. M had a chocolate fondue(which we both had read as fondant when ordering so it was a bit of a surprise) and I had a rice pudding topped with a thick layer of raspberry coulis, not disappointing. Petal stayed home to doodle so we took a pizza back for her - not a gourmet! Unfortunately the French Margherita was covered in black olives - luckily they were easily picked off - ha!

Depending on the tides, tourists can chug around the port and Seine in the Jolie France.
Image from a tourist brochure advertising River Cruises that stop in the Port of Honfleur - obviously in summer.
Words cannot share the light of this place so here are a few pictures by talented folk that have tried to capture it in paint.
Eugene Boudin is considered Honfleur's greatest patron of all the Artists from his era. His bust in in the Garden of Fame.
Eugene Boudin - 'Festival in the Harbour of Honfleur  1858

Monet's 'Impression of Sunrise' of the harbour at Le Harve across the river in 1872. The exhibition of this in Paris caused
a critic to snort and say that it was only an impression.  Monet heard and thought it was a good thing, giving rise to the term
for this school of art.
Monet's 'Boats in the Port of Honfleur 1866

'Un bateau a Honfleur by Claude Monet 1864                      Spot the lighthouse!

Both of these by Spanich painter Emilio Grau Sala. The top of the Port in Honfleur.
 A similar painting or perhaps the one on the bottom was on display for sale at a Gallery in Honfleur.
I didn't even go in to check the price!
'Honfleur' by Johan Bartbold Jongkind  1865  (St Leonard's in the center)

JMW Turner 'Honfleur'  On his annual tour 1832  Watercolour.
(St Catherines is already grey at the back of the town - the hill behind is now covered in buildings.)
A few of today's artist's interpretations.  All images for sale through http://fineartamerica.com/art/paintings/honfleur/all

'The Port at Honfleur'  Gail Chandler

'The Old Harbour' Patton Hunter

'Honfleur' Othon Patrice

'Honfleur Harbour - Hotel De Ville'   Photograph digitally enhanced - Scott Massey



Monday, 2 February 2015

Klimt Colours Vienna (V4)



A path through Standpark
White stone, white snowy streets, white horses pulling white carriages, white light when the watery winter sun peeped through the heavy clouds; a perfect backdrop for the brilliant bursts of gold, bronze green, red velvet and the warmth of glowing cafés. Vienna's emerald summer frock is buried deep beneath her winter cloak in December.
A decorated doorway and street corner opposite our apartment.

Walking around Vienna, early afternoon.
Left: Watch for cars, horses, trams and pedestrians before crossing the wide avenues. Right: C having a Mr Tumnus moment.
Gold and copper - Parliment and the Hofburg
Crossing the Danube Bridge from one Ubann station to another. Modern Vienna behind M.
A park that would be full of people in summer, the beach volleyball stadium was empty! 
If you stand beside the statue of Prince Eugene in the Helden Platz (a parade square and lawns between the Burgtor and the Hofburg Complex facing the Ringstrasse) all the white stone crowned with copper and bronze green seems coloured with the overlays of Austrian history.
C guarding without a weapon!  The Aussere Burgtor (image from a travel brouchure) Domes of the Museums either side of Maria-Therese Platz in behind. Neue Berg left of the photographer.
In the middle of the space, Archduke Charles holds the Austrian flag forever high, commemorating his victory over Napoleon as his troops protected Vienna in 1809. Prince Eugene saved Austria and Europe from the Turks and is astride his horse looking over the seat of power. Behind him is the Neue Burg, part of Franz Joseph's building spree at the end of the Empire, it is forever shadowed by the memory of Hitler standing on its balcony announcing Anschluss to the cheers or tears that split the country. The optimism of earlier freedoms shine proudly in their white stone glory. Building after building, built by architects unafraid of raiding every heroic style known to man for their designs, line the Ringstrasse. Interrupting this view is a gate, a triumphal arch called the Ӓussere Burgtor.  It was built to commemorate Austria's final victory over Napoleon in 1813, left standing and alone when the ancient city walls, separating the citizens and the Crown, were toppled in 1858. Standing here, a rainbow of national pride, compromises, victories, and defeat, seem to swirl.
Left:Neue Burg with Eugene out front. Right: Not sure that Archduke Charles would be impressed with this want of respect!
For a few years Vienna glowed with creative genius that integrated with the needs and rights of everyday living. Making life beautiful for everybody was the aim of the Gesamkunstwerk movement that many artists flocked to Vienna to become a part of.

The heavy, artificial classicism of the Emperor's building spree and the flow of money from the new industrial age created a similar situation for artists in Austria as the Impressionists were facing in Paris. The modern artists of Austria also broke away when rejected for exhibition from the conservative mainstream. The Austrians had something that the French Impressionists lacked - Gustav Klimt.

Klimt was voted head of the Secession movement(modernist artistic breakaway) and determined that a large exhibition of Gesamkunstwerk should be held. The enormous success and profits of this exhibition, that even the Emperor visited and supported, resulted in the design and build of the Secession building. This building was the first to be built to purpose, to exhibit both flat work, furniture, sculpture and crafts. A few streets back from the Ringstrasse, south of Karls Platz and behind the Academy of Fine Arts is a building with a ball of gold covered leaves topping the entrance like a scoop of ice cream. Also in gold is inscribed "To every age its art, to every art its freedom".
Secession building designed by Joseph Olbrich 1897-98.  Owl motif,  the knight from Klimt's Beethoven Frieze.
At the time of the Secession, Gustav Klimt was already famous for his interior murals decorating the Burg Theater and the work he had done in many wealthy business men's homes. The source of the money that made all of this possible - the industrial age, was rejected and the artists hankered after a return to nature and simple living, with many rejecting the formal attire of the day and wearing large flowing smocks in their private domains.
Gustav Klimt and one of his many cats and his reform clothing attire - Dressed a little more formally.
When commenting on the fact that he had never painted a self portrait he said - "I am less interested in myself as a subject for painting than I am in other people, above all women...There is nothing special about me, I am a painter who paints day after day from morning to night..whoever wants to know about me ...ought to look carefully at my pictures.' 

A ceiling in the Burg Theatre that Klimt, his brother Ernst and friend Franz Matsch design and paint.
It is called 'The Theater of Shakespeare.'
Klimt is Gold to Vienna's tourism, not just because of the amount he lavished on his canvases, but because of the bright colours with bold patterns influenced by Jugendstil (German version of the French Art Nouveau, more geometric than floral.) that shine through store windows on cold winter days.  The tourist Euros keep Old Vienna turning over.
Three golden ladies scanned from postcards bought at the Upper Belevedere.
Left:Adele Bloch-Bauer, 1907 in Neue Gallery NY. Centre: Hygieia a detail from 'Medicine' destroyed in a fire 1945.
Right: Emilie Floge 1902 in Historisches Museum der Stadt Wien.
The colour of Klimt is more than just his portraits, the strange blend of Nietzsche's pessimistic philosophy (that the world was an awful place but that human will was able to overcome with meaning even without happiness) and a very healthy appreciation of the female form has produced a catalogue of works that intrigue.
Left: The Three Ages of Woman 1905, many prints are for sale in the tourist shops with the ancient one cropped out.
Right: an early portrait of a friend's daughter - Sonja Knips 1898, hangs on a wall facing 'The Kiss' in the Upper Belevedere.
Entrance to the Upper Belvedere  -   part of 'The Kiss' 1908
Life and Death 1916  in the Leopold Museum
Klimt died in 1918 and so never saw what the Nazi's did to many of his contemporary's artworks. Many of his best friends and beloved patrons were Jewish and his modern works scandalised many of his generation but this didn't seem to dissuade Hitler. His generous nudes designed for the walls of the university were rejected as pornography by the people who had commissioned the work, he was accused of 'excessive perversion'.
Ceiling designs for the Vienna University.  Left: Medicine  Right: Philosophy. Both were ultimately rejected by the University Board for being unseemly, were stolen by the Nazis and burnt to stop them falling into communist hands.
Yet his work escaped the 'Degenerate Art' exhibition after Anschloss and the rejected murals were stored in Schloss Immendorf as National treasures to be protected, they were ultimately burned to stop the Russians from getting them. Morowitz, a Professor of Art History at Wagner College New York, suggests his work may have been saved because of his Beethoven murals around the walls of the Secession Building. Hitler loved Beethoven's 9th and the knight character Klimt used to illustrate this work appeared to mimic the Fuhrers idea of himself - liberating his country. As an Austrian art student himself, Hitler must have been aware of this work long before he became a Nazi. 

Klimt is an artist full of contradictions. He was a female form enthusiast, one estimate says he had 14 illegitimate children with almost that many women, yet he seemed to have a very loyal friendship with the sister of his sister in law. Emilie Flӧge was the Coco Chanel of Vienna. She was an early feminist and secessionist; influenced by Japanese textiles and Germanic folk costume. She became Klimt's muse and no doubt influenced some of the designs and patterns he covered his intricate nude drawings with oils and gold. At times he filled his studio with nude women and encouraged them to go about whatever they choose to do, sketching all the while and at others the only company he wanted were his cats. 
Left; A painting  'The Bride' found in his studio, found after his unexpected death shows that he painted his women naked before covering them in the Jugendstil prints he employed. Right: A commissioned portrait of a real bride, makes you wonder what the portrait may have started out as.
Klimt painted landscapes and gardens as well as his more famous expressionist portraits. His studio was at the back of a large garden planted with a huge variety to give him subjects, a wilder more impulsive Viennese Monét. He experimented with negative space - often with layers of colour giving a depth to 'black' that doesn't translate well in photographs or prints. Being able to see 'The Kiss' at the Upper Belvedere and  'Death and Life' at the Leopold were highlights for me. 
The Sunflower 1906, he painted many of his landscapes as a form of relaxation, rather than for sale or exhibition, on the shores of Lake Attersee.  Left: Church in Cassone(Verona, Italy)1913  
Exquisite Fairy tale quality landscapes like this 'Farmhouse with Birch trees' 1903 is a lot more optimistic than many of his figures.  Right: 'Tree of Life" 1905 - the center section.
Klimt's graphic skills were also in demand for advertising posters and 'enlightenment' posters. The secessionists actively shared their philosophy. His brother, Ernst, was a gold engraver and created frames for some of his work until he died in his twenties. The font used by both brothers in these endeavors was even used on Klimt's headstone. 
Gravestone in Vienna














Above:  Two of Klimt's posters.
Above the figure, Klimt has copied a line from Leopold Schefer - a German poet It says - Truth is fire and truthfully spoken words light up then burn. (1784-1862) She holds a mirror out to the public to take a serious look at their empty, industrialised, consumerism souls.
Right: Poster by Klimt for the first Secession Exhibition.


For 18yrs Vienna's art scene burned bright with many more artists, architects and composers in residence than just Klimt. He had a stroke in the last year of WWI then succumbed to the pneumonia virus on Feb 6. At least he was saved the pain of a world where art didn't really matter any more in the fight for survival during the recessions after the war.


A contemporary artist, Voka, has painted Vienna full of colour.

A Summary of Austrian History so brief that omissions create distortion:
The ruling family, Hapsburg, may be likened to a mother hen that over centuries (mid 1200s until the end of WW1) watched over a large cluster of naughty chicks forever attempting to sneak out from under wing. The family began as part of the Swiss confederation and at the height of their power were crowned as the Holy Roman Emperors. This gave them sovereignty over lands from Poland to the Mediterranean, the Spanish peninsula and much of what is now Italy. The Ottomans lay to the East and the Francs to the West. Continual wars for independence made a checkerboard of the Eastern European map. Queen Maria-Therese and her son Joseph tried to change the age old habit of letting the chicks rule themselves under the cloak of the Imperial family by centralising government of all vassal states to Vienna. This caused another rash of rebellion until Franz Joseph settled for the 'Austro-Hungarian' Empire in 1867, two countries with separate parliaments but united under one crown. For Austria, this time became a time of social reform, economic growth and a huge surge in art and architecture. Imperial walls came down and the Ringstrasse was built.The chicks of Croats, Serbs, Slavs kept peeping for independence and eventually one terrorist action, to further their cause, pulled the rest of Europe into the farmyard. Germanic defeat in WWI resulted in the final collapse of Hapsburg rule, The chicks were given territories with their own borders, Hungary and Austria became separate nations; until Hitler annexed Austria. She now became a chick under the black wings of the Nazi swastika.  After Nazi defeat those that had been exiled or detained for resisting Hitler's dictates (many Austrians welcomed Nazi rule and policy) returned to their homeland and were allowed to set up governrment as 'a liberated' country. Carved into 4 by the allies, Austria soon became a hub of Cold war intrigue. At last in 1955 Austria became an independent State once more and declared 'everlasting neutrality' in their new constitution. They joined the EU in 1999. Today the democratically elected President resides and works within the Hofburg complex.